CV

My artistic practice moves between drawing, sculpture, photography, and installation. At its core lies an interest in the relationships between things — in the visible and invisible forces that connect materials, forms, and perceptions. Each work emerges through an open process in which elements are shifted, combined, and reconfigured. In this way, constellations arise that are neither fixed nor complete, but remain in a constant state of transformation.

In my drawings, I implement methods of graphic notation, cartography, and mind mapping to weave networks of narratives. Lines function as connective structures, tracing movements, associations, and speculative trajectories. In my sculptures and installations, I create hybrid landscapes composed of diverse elements that form interrelated spatial structures, environments in which viewers are invited to find their own path and position.

The cosmos serves as a central source of inspiration and a conceptual framework, not as a romantic image, but as a system of relationships that reveals parallels to our own space of perception. Scientific models and observations, particularly from natural phenomena, astronomy and physics, enter my work as poetic points of reference. I am fascinated by the similarities between scientific and artistic processes of inquiry: both move between precision and uncertainty, between experiment and imagination.
The analogy between microcosm and macrocosm plays a recurring role. Within these scales, I consider the human being as a perceiving center – a point of convergence that processes and interprets impressions, movements, structures, energy, and matter. Through my work, I seek to make these interconnections tangible and to open spaces of thought and perception in which the relationship between body, space, and imagination is continuously reconfigured.